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[experimental, ambient, musique concrete, field recordings] Simon Whetham - 2013 - Hydrostatic (FLAC, Auf Abwegen 39)

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‘Hydrostatic’ was commissioned by the McNeill Street Pumping Station New Music Festival, Shreveport,
Louisiana, USA in November 2011, and presented as a multi-channel performance.
Simon Whetham spent more than a week
exploring the site, capturing the sounds of the space, the vibrations of the buildings, the spirit of the community and
perhaps the echoes of past activity… - Auf Abwegen

Over the past eight years Simon Whetham has
developed a practice of working with sound recordings as a raw material for composition. These are often environmental
sounds he has captured employing a variety of methods and techniques, in order to obtain discreet or obscured sonic
phenomena.
In removing sound from it’s source, sometimes amplifying it significantly, it becomes abstract
– familiar yet otherworldly. More recently, when presenting work in a performance or installation, for him the
space and the objects within become instruments to be played.
Simon has a large number of works published through
many specialist organisations, including Touch Music, Cronica, Dragon’s Eye, Monochrome Vision and
Entr’acte; has performed extensively internationally; collaborated with artists from musicians to performance
artists, painters to video artists, dancers to poets; has run listening and field recording workshops in UK, Colombia,
Chile and Australia; and received a large number of commissions and awards for projects and installations –
notably ‘Active Crossover’. Supported by the Arts Council England and PRS for Music Foundation, the project
comprises sound installation, performance, collaboration and workshops. ‘Active Crossover’ has toured six
cities in the UK, and also been hosted in Estonia, Argentina, Australia, Chile and Colombia, with future residencies in
Germany and Norway in 2013.                                                            Show Demonoid some love
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